The two images are focusing differences and similarities with the context of art concepts assimilated in a group of projections. It is vital to know understand the descriptions and components of each picture while analyzing both portraits.
Pablo Picasso’s Les Demoiselles d’Avignon (1907)
This portrait exemplifies mechanisms of expression and reductionism. Artist concentrated on the boosting of these mechanisms of space thus implausible reductionism. Disorder of facial expressions is also short-tempered therefore the capacity to prompt the meaning to the spectators for its group is visible. This image is also reflecting recognition of self-determination of appearances with referencing to the modern and orthodox French effects it enabled the painter to shape out his alleyway. Enactment of geometrical figures has also been portrayed by a woman at far right corner dragging the shade. The female also has features of dense paint solicitation. The ladies in the photograph seem icy. Pablo Picasso’s Les Demoiselles d’Avignon present a radical break from traditional perspective and composition in painting. It depicts five unclothed women with figure composed of poised of smooth, shattered surfaces and faces stirred by Iberian memorial and African masks.
Robert Colescott’s Les Demoiselles d’Alabama: Vestidas (1985)
Same as above image focused on presenting the females in society. The picture implements relevant patterns and bright colors to understand this piece of art. It articulates the confidence of women. The appearances of the image are liquefied same as Pablo Picasso’s. Application of the colors and dots emphasize on the parting of one woman from another thus, it is crafting essence of eccentricity and individualism, a scenario like a group of friends. Contrasting ladies in Pablo’s picture, with the application of depth and color discernments, women in this painting emanate to life. The women are appeared to be realistic and three dimensional thus it is reflecting the figure of the photo. Additionally, it further shows an application of the ideas of background and foreground thus it makes the females a crucial point. Determination of behavior is conveyed by their faces. Robert Colescott’s Les Demoiselles d’Alabama: Vestidas (1985) is showing the awareness to veil the body. The trend of modernism has captured the attention reflected by ladies’ attire.
