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Comparing And Contrasting The Browning Poetry

Robert Browning was a poet and playwright who had mastered writing dramatic monologues. His poetry pieces were known for the numerous ironic characterizations, the humor | (dark) they contained; the social commentary brought out, the historical setting, and the vocabulary and syntax that he used. Elizabeth’s work largely targeted the political side and the politicians. She did poetry translation and prose as a beginner. Most of Elizabeth Barreth’s work was written to oppose the bad political activities of their leader, such as the slave trade that was rampant then.

Robert Browning wrote poems about what he explored around him and what the characters around him did. Robert used various voices in his work. This helped him communicate many different messages to his audience. This also helped him give different perspectives and multiple versions of the same story. His use of dramatic monologue made his readers fit into the shoes of the involved characters, hence seeing the events more clearly for themselves (Elizabeth R 2018). Robert, in his work, makes the readers recall that truth and reality naturally fluctuate depending on how one sees the situation they are involved in. he is clear in his work that no two individuals can get the same and exact meaning from a poetry piece. Elizabeth Barrett Browning is famous for her religious poetry, which is something that made her poetry Victorian in nature (Frank, 2018). “‘I think I was enchanted’: Elizabeth Barrett Browning’s Haunting of America. In her work, she tries to explain what true religion is and how religion has gradually changed with time. Elizabeth also majored in writing about nature. She views nature as either the main topic or just as a minor in each of her work pieces.

Robert Browning’s style of writing is mainly dependent on dramatic monologues, in which there is self-revelation of the settings, characters, and actions. This was done through images and symbols. Elizabeth used a variety of styles depending on what was available to her. Elizabeth also used balled forms, which were passed to her from earlier romantic poets like William Wordsworth and Walter Scott. This was attributed to the strength of the ballad as they had strong narrative lines and historical settings of scenes of conflict that brought tension. Barrett bases her writing solely on what she thinks about situations she experiences.

Robert Browning’s understanding of the characters enabled him to write what the readers had a sense of sympathy for. This also makes readers visualize the various perspectives that lead to the truth. In his poetry, Robert brings out the picture of how different people respond to different situations depending on time. He also shows how context can make people with similar characters develop dramatically in diverse ways. Elizabeth Barrett‘s writing was mainly from her critical perspective of the things around her, and this was greatly criticized by some of the readers of her work. Elizabeth was consistently in the urge to test and try out new styles of poetry. Elizabeth is keen on putting emphasis on poetry as a pillar of society.

Elizabeth Barrett was a poet who went the extra mile by testing the water in poetry during her time. She was known globally for the challenging verses she wrote that made accomplished poets like Carol become restless. She used politics as aesthetics in her work, which she had longed for for a long time (Dorothy McMillan 2018). Robert was able to reveal to people what was happening in society in various fields of life.

The literary styles used by Robert Browning and Elizabeth Barrett Browning contrast each other. Robert majors in writing about what happens around him, especially in the social and economic fields. Elizabeth, on the other hand, majored in writing on her individual perspective of the society around her.


Cronin, Richard, and Dorothy McMillan, eds. Robert Browning: Selected Writings. Oxford University Press, 2018.

Powell, Elizabeth R. “The Place of Imagination: Wendell Berry and the Poetics of Community, Affection, and Identity.” Anglican Theological Review 100.1 (2018): 230.

Frank, Lucy. “‘I think I was enchanted’: Elizabeth Barrett Browning’s Haunting of American Women Poets.” Representations of Death in Nineteenth-Century US Writing and Culture. Routledge, 2018. 121-136.



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