The comparison of paptonicone and Hawarden focuses on feminism. Hawarden’s imagery used colors black and white to capture the themes of whiteness and beauty. The color white exhibits simplicity and elegance. The photography emphasizes the female gender representing enchanted beauty. Hawarden’s technique involved “many such unplanned negatives were printed to see what the photographic process has revealed.” Through negatives, the artist managed to capture realism in the scene. The artist in the photograph tries to represent feminism in its charm and glamour. The artist associates feminism with the symbol of perfection and an idealistic model. Harold Feinstein portrays the early version of the female. The young girl in black and white represents the confusion. The artists try to reveal how she is unaware of her potential beauty and power. Both artists related feminism with power.
Lady Clementina Hawarden
By Gilman Paper Company
7 ¼ x 5 8/8
Lanoue Gallery
12 x 12
Francis Joseph, in the photography, tries to capture feminine beauty. The artist uses black and white colors to add more naturalism to the image. The gestures of the female in the image exhibit the manipulative powers and tactful nature of females. Francis Joseph focused on “dolls and mannequins became surrealist fetishes of male sexual desires.” The image creates fascination for the men as the artist represents the society of the nineteenth century. A similar theme is visible in Howard Deyzerski’s art, which portrays a woman in her elegance. The posture exhibits the seductive role of females that undermines male power. The focus of the artists is on feminine power and desires to attain freedom.
Woman On Phone
By Francis Joseph Brugiere
7 7/16 x 9 7/16
Howard Dyezerski Gallery
By Lalla Essaydi
12 x 16
The contrast of Sowa’s art with Klett and Bushway’s work uses the white theme to represent the meaning. The portrait of both artists uses black and white themes. Klett and Bushway represented that “colors through movies and television was omnipresent in the American life.” The purpose of Klett and Bushway is to represent the American lifestyle by focusing on the infrastructure and modernism of the nineteenth century. The Sowa art portrait captures a natural scene with the idea of comparing it with man-made changes, including changing landscapes. The comparison of the two images sets contrasting events as it allows the audience to compare the scenes of nature with modernism.
Castle Rock
By Mark Klett and Gordon Bushway
Six ¼ x 8 ½
Sowa Art
Amoco surplus polyolefin (Sowa art)
Dimensions 9.5 x 5 x 1 feet
The comparison of Jerry Uelsmann’s work with Lanoue Gallery exhibits similarities. Jerry, in the portrait, captures the male power as he focuses on the men’s world. Black and white colors allow the artist to capture contrasting realities. Jerry Uelsmann used “complex multi-image allegories with sophisticated analytic printing techniques.” The sophistication of the technique permits him to capture the expressions of male emotions of satisfaction. Similar themes and colors are used by Peter Combe in capturing male power. The images reveal gender domination and masculinity. Both images illustrate the thoughtful nature of man and appear in the expressions of the one created by Combe. The man at the desk exhibits the recreation of realities explaining the male’s role. The portrayal of males represents them as thinkers while it is also an appreciation of their power.
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