An act is synonymous with the actions in play and frequently used in the playwrights. The director of the play employs the technique when he intends to accommodate a change in settings, time, characters or mood. Act in the play becomes visible with, “a priest Father Flynn is in the late thirties” (p. 1431). The use of acts are common with the change of location or scenes.
The purpose of using allusions is to portray the thoughts of the writer and build its reference with different characters or events. They are important for implying cultural experiences and personal viewpoints of the writers of play. They act as recalling an event such as “what do you do when you are not sure” (p. 1431). Allusions remained a common element in Shakespeare’s plays.
Antagonist refers the force or the character in fiction reflected through Sister Aloysius character as she mentions, “much can be accomplished in sixty minutes (p. 1432). He is a person who acts against the struggles, adversary or the person but is unwilling to come to a compromising position. The antagonist does not represent a good guy and a common example of Claudius who opposes the forces in Hamlet.
Antihero lacks the traditional attributes of a hero and is also known as the protagonist. His condition reflects that he is isolated as in the play Flynn is an antihero, “imagine the isolation” (p. 1431). The miseries and adversities of the world convert him to an isolated and lonely person. His personal experiences put him in a state where he fails to accept the values and existence of God.
Archetypes are symbols that generate emotions among readers. A common example includes, “he might have intentionally given himself a nosebleed” (p. 1432). They convey meanings that are related to human experiences while common types include stories and mythological revelations. Archetypes work to persuade the audience and convince them to accept certain beliefs.
Aside is a speech that targets the audiences only while it remains inaudible to the other actors or performers present on the stage. Aside from acts to build a close interaction between the actor on stage and the viewers. It appears in the play when Flynn states, “what if no answer comes? Silence” (p. 1431).
- Biographical criticism
It suggests that the personal experience and knowledge of the author aids his understanding regarding his work. Biographical criticism has a significant impact on author’s work however, it is a useful tool for textual interpretation and analysis of author’s work. The description of John Patrick Shanley shows biographical criticism (p. 1430). The purpose of the biographical criticism is the assess the writings more explicitly.
- Comic relief
Comic relief eliminates the tensions involved in a serious work, providing momentary comfort to the audience. Comic relief emerges when sister Aloysius says, “do you have a handkerchief?” (p. 1435). The creator of the play incorporates the element to evoke emotions of ease by allowing laughter. It provides discontinuity from displaying too much stress.
Conflict remains one of the crucial elements of plot displaying struggle as in play Flynn mentions, “no one knows I have done something wrong” (p. 1431). Conflict allows the protagonist to engage with the opposing forces becoming visible in different forms such as society, aspect or a person. Conflict is something that needs resolution and often leads to indecision.
- Cultural criticism
A literary approach used to emphasize the historical aspects as the play mentions, “horrible, lost and doomed to be terrible death” (p. 1431). It identifies cultural artifacts and their impact on different areas of art including fiction, plays, and films. The purpose of its adoption is to find the relevance of the fiction or art with popular culture.
Convention indicates a literary genre that can be unreal but attains audiences’ acceptance due to its representation in time. It divides the scene appeared in, “the message of constellations has imagined it” (p. 1431). Literary conventions are used in literature to recreate the events that foreshadow a deeper idea or concept.
Canon is most commonly used by critics to read the study. The common example includes, “that’s the ethics” (p. 1434). The reason for using canon is to assess the literary devices used in the creation of literature. In-depth analysis of the literary writing allows critics to identify the role of personal biases and thoughts on their creativity. Critical canon was made part of literary analysis during the 1960s.
The emotions that audience release is known as catharsis such as pity emerging in the play when sister Aloysius says, “am I falling short?” (p. 1434). Historical writers used catharsis in their writings such as Aristotle used it in Poetics. It is a necessary element for evoking emotions and building close association with the viewers.
Crisis generates substantial influences on the protagonist that represents a turning point. In the play it appears in a statement, “boys are made of gravel” (p. 1434). The crisis also portrays the climax of the play under the unity of the opposing forces. It reveals the unpleasant side of the story provoking emotions of sadness.
It refers to a speech when the speaker says less than what is needed. It does not convey the exact meaning and commonly supports the comic purpose in the play. It appears as Sister James in the play replies, “I know how to handle them” (p. 1434).
It explains the central idea that the director wants to present to the audience. It includes the abstract concepts, concrete images, and characterization of actions. The theme becomes visible as play mentions, “there is a bit of sunshine in her heart” (p. 1432).
- Stock response
It represents the responses to the characters, symbols or situations. It is one of the effective tool used to generate reactions in audiences such as the use of God and peace. In the play, it appears when Flynn mentions “you look for God’s direction” (p. 1431).
- Stage directions
It involves set of instructions that act as guidelines for the actors presenting a certain story or theme. The facial expressions and the way the actor behaves are the results of directions becoming visible in sister James expressions “Oh” (p. 1434).
It displays the social and physical aspects of the play such as the time, social environment and the play. In the play, settings are visible in, “people sitting together bound together by a common feeling of hopelessness” (p. 1431).
It is a statement that exhibits controversy but a closer look makes it sensible. It appears as sister Aloysius says, “another waste of time” (p. 1435).
Doubt: A Parable. By John Patrick Shanley. 2005