Introduction
The Old man is the dynamic character “A Very Old Man with Enormous Wings” story found by Pelayo in his courtyard struggling to get out the mud after the rainstorm drives the region and his wings soaked by the mud (Marquez et al. 45). The man is a dynamic character in the story because he makes the events that are happening in the story. Pelayo calls his wife was attending their old baby who was falling sick. In this case, the Old man speaks a very foreign language which is not easily understood by Pelayo and Elisenda. They both try to talk to the man, but he replies in an accent which is not well understood. They call a neighbor woman who knows issues concerning the deaths and life as well as miraculous things happening (Marquez et al. 64). The neighbor woman says that the old man wanted the spirit of their wiped out kid however struck by the blizzard. The neighbor woman tells Pelayo and Elisenda to have the man clubbed to death. In this case, Pelayo and Elisenda lack power to have this done but they close the old man in their chicken coop (García Márquez & Gabriel 105-106).
The fact the man speaks a foreign language and has luxurious features such as wings brings many surprises to the people. Due to his wings, many people believe that he is an angel who is fallen. Catholic Church perspective thinks that the man is Norwegian since everything seems very obvious just around him. The old man appears to have the body of a human being but having wings which contract him with fully human nature. He has the human character of being diseased and filth (García Márquez & Gabriel 107). Once the people gather, he has human reactions to pleas and healing. The doctor inspection of his health finds that the unhealthy man is very alive and they wonder how comes he survives. The old man exemplifies the central theme of the story as per the title an old man with enormous wings. The man is found to be the dynamic character and driver of the story through the story analysis, and after his disappearance, the story ends.
Conclusion
In the fact that the Pelayo and Elisenda did not club the character as per the words of the neighbor woman this made story develop its course. The author could not allow the death of the Old man since he is the main character and the driver of the idea in the story. The old man embodies the primary theme of the story according to the title an old man with gigantic wings. The man is observed to be the dynamic character and driver of the story through the story examination, and after his vanish, the story closes.
Works cited
Marquez, Gabriel Garcia, and Nicholas Tornaritis. A very old man with enormous wings. GradeSaver LLC, 2007.45-67.
García Márquez, Gabriel. “A very old man with enormous wings.” Leaf Storm” and Other Stories (2012): 105-112.
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Introduction
The Old man is the dynamic character “A Very Old Man with Enormous Wings” story found by Pelayo in his courtyard struggling to get out the mud after the rainstorm drives the region and his wings soaked by the mud (Marquez et al. 45). The man is a dynamic character in the story because he makes the events that are happening in the story. Pelayo calls his wife was attending their old baby who was falling sick. In this case, the Old man speaks a very foreign language which is not easily understood by Pelayo and Elisenda. They both try to talk to the man, but he replies in an accent which is not well understood. They call a neighbor woman who knows issues concerning the deaths and life as well as miraculous things happening (Marquez et al. 64). The neighbor woman says that the old man wanted the spirit of their wiped out kid however struck by the blizzard. The neighbor woman tells Pelayo and Elisenda to have the man clubbed to death. In this case, Pelayo and Elisenda lack power to have this done but they close the old man in their chicken coop (García Márquez & Gabriel 105-106).
The fact the man speaks a foreign language and has luxurious features such as wings brings many surprises to the people. Due to his wings, many people believe that he is an angel who is fallen. Catholic Church perspective thinks that the man is Norwegian since everything seems very obvious just around him. The old man appears to have the body of a human being but having wings which contract him with fully human nature. He has the human character of being diseased and filth (García Márquez & Gabriel 107). Once the people gather, he has human reactions to pleas and healing. The doctor inspection of his health finds that the unhealthy man is very alive and they wonder how comes he survives. The old man exemplifies the central theme of the story as per the title an old man with enormous wings. The man is found to be the dynamic character and driver of the story through the story analysis, and after his disappearance, the story ends.
Conclusion
In the fact that the Pelayo and Elisenda did not club the character as per the words of the neighbor woman this made story develop its course. The author could not allow the death of the Old man since he is the main character and the driver of the idea in the story. The old man embodies the primary theme of the story according to the title an old man with gigantic wings. The man is observed to be the dynamic character and driver of the story through the story examination, and after his vanish, the story closes.
Works cited
Marquez, Gabriel Garcia, and Nicholas Tornaritis. A very old man with enormous wings. GradeSaver LLC, 2007.45-67.
García Márquez, Gabriel. “A very old man with enormous wings.” Leaf Storm” and Other Stories (2012): 105-112.
