Baltimore Museum Of Art

Baltimore Museum of Art is located in the United States of America and was founded in 1914. The museum is associated with the art of all kinds of drawing, painting, coloring, ancient mosaics, and cutting-edge contemporary art. Baltimore Museum was started with a single painting; to this day, the museum holds more than eighty thousand works of art. The museum holds art from different artists from around the world, including America, Europe, China, and the rest of the world. The museum showcase work of art from around the which involves paintings, drawings, sculpture, mosaics, and textiles.

The museum is used as a cultural heritage for the universe since it represents all kinds of arts across the universe. Baltimore serves as a unifying platform for the identification of artists across the globe. They all come here to showcase their art, which is accepted in the tourism market by members from other nations. The museum is a landmark; it is visited by people from all corners of the universe. The artist brings their art here to experience honor from different nations; this promotes competitive innovation of different arts. The artist also benefits from events happening in the museum; they create partnerships with other artists and cooperate in this art field around the world. The artist is the main beneficiary of these events; many of them create income from these organized happenings (Cooks, 2011).

Technology plays a significant role in this event. In order to gain popularity among other nations, the Baltimore event is broadcast across the world. This increases the number of visitors who come to this annual event. Upon the renovation of the museum in 2012, the event was a successful experience for the museum committee. If it was not for the media, Baltimore would not be a known museum worldwide. When events are organized, the media platforms are informed in advance so that visitors can prepare adequately. Also, technology has acted as a bridge between the audience and the information of art in the museum. Details of what the museum holds concerning art are all explained on the internet; this has made it easier for people who are interested in art to be part of the audience.

Artists in these organized events benefit extremely. First, they are the main cause of why the event is happening. Second, they come to showcase their latest artwork to a range where they are compared to other artists’ art. Artist creates connections with prominent cooperates who can endorse their art and fund their art for other events viewing (Garoian, 2013). The events create a major platform for artist to range their art and focus on better crafting for the next events. The artist also creates income in these events when the audience is required to buy the arts, not necessarily at the events but on other occasions. This artist learns from their colleagues on the different crafting of artwork; they pick unique traits and ideas from a wide selection of arts. Apart from the artist, the audience also acquires important lessons and ideas from this art at the event. For instance, some of the audience came to this event to learn how to craft this art; when the event was over, the audience would have collected certain ideas. Other audiences may be bloggers or writers who benefit from this Baltimore event and use it for their gain and subject to their careers.

According to the capacity of the Baltimore Museum, it holds hundreds of thousands of people who pay for the service of the event. This event creates Income for the maintenance and renovation of the museum. This event attracts visitors from different parts of the universe who bring foreign exchange to the United States of America as a form of tourism. This foreign exchange is included in the budget of the nation, hence equipping the economy. During the stay of these visitors and tourists, they also purchase and tour other parts of the nation (Nord, 2014).

References

Cooks, B. R. (2011). Exhibiting Blackness: African Americans and the American Art Museum. Univ of Massachusetts Press.

Garoian, C. R. (2013). In the event that art occurs. Visual Arts Research, 39(1), 18-34.

Nord, P. (2014). Impressionists and politics: Art and democracy in the nineteenth century. Routledge.